Sofia
Kamal

Undergraduate student at Stanford University.

Oil painting of two young women against a deep red wall: one in a white top rests her chin on her hand, the other, in an embroidered maroon skirt, leans back against her.
Glazed ceramic bowls, cups and small vessels by Sofia Kamal displayed on a tiered wooden stand
“It was a
dream of nightjars and a grove of sequoia trees”
— Homecoming, augury

Painting

8 works · oil and charcoal

Painting 1

No. 01 · Oil paint

Painting 2

No. 02 · Oil paint

Painting 3

No. 03 · Oil paint

Painting 4

No. 04 · Oil paint

Ceramics

16 works · ceramic forms and vessels

Ceramics 1

Ceramics 4

Ceramics 2

Ceramics 5

Ceramics 3

Ceramics 6

Poetry

2 published poems

Published by
Academy of American Poets · poets.org (opens in a new tab)

Homecoming, augury

2024

—after Ocean Vuong

I have lived around the corner from the houses of jinn,held collapsed stars in my hands like I could reopen them.

Outside, the street is littered with acorns and the bodiesof dead parables—tell me, do you know where to lay a hurricane

to rest? The old women who interpretednightmares and the migration patterns of birds

died last Thursday in her sleep—collect azaleas, minorkeys, other debris of this life. All things return home—

pollen born of dahlias and the last syllableon your tongue, a night sky with exit wounds.

The whispers of wind chimes cling to the morningand the bronze I broke off the edge of the sun. In the garden,

the honeyed insides of figs are sunk into earthto wash over all the death held in this soil.

Look, I couldn’t tell you what the blue jaysgrieve, only that they live, so they must

mourn. And I recognize in fire its hungeror love, maybe I felt that once

in a dream I don’t remember now. It was adream of nightjars and a grove of sequoia trees

and other omens of danger. I wake to the sea,brimming with salt and sleep, mottles the shore.

The sound has slept long years inside the mouthsof bells, and I want to coax it out, the way blood longs

to leave these veins or these scraps of language settle in dense air.No one sees the bullets streak the sky softly in the dusk,

and every unanswered prayer, splintered on broken clouds,returns to these hands I hold out for your name.

Published by
2024 National Student Poets Program Chapbook (opens in a new tab)

Gas station

Defamiliarize yourselfwith the tongues and lightyou hold in your mouth

if you want to know whythe blood is red. Tonightthe moon is lobed with

desire left unanswered,its edge rusted overby centuries of eyes

that seek its face—think,the casualties, exploit.We stopped

to fill his car with gasout of habit, not to comeor leave. We are always left

defiled without direction—hittites, a man dragsa cigarette from his lips,

his back against the wallof a drugstore like he holdsthe weight of the city

and its molted wings. Look,a stitch of stars to sew the ripsin the sky. In the street, oil pooling,

I found the wings of a monarch,glazed with petrol at my feet,black and orange and flight

seeping from the tips. You know,colors fracture like bonesin my hand. The fibers

of a tumbleweed unravellike any civilization. I watchfrom the hood of the car,

wrap the skyline andthese borders aroundmy fingertips in the night.

The violence of a cityscape.The gasoline I sink into.When nations are cut, they

bleed. Knowit’s not blood,it’s oil.

Like all fables this ends without meaning.

Prints

6 works · prints and cyanotypes

Print 1

No. 01 · Print

Print 2

No. 02 · Print

Print 3

No. 03 · Cyanotype

Photography

26 photographs · black-and-white film

Photo 2
Photo 5
Photo 3
Photo 6
Photo 4
Photo 7
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